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Public meeting with Salvador Tavora] | Salvador Tavora, director of La Cuadra, the legendary company that tonight Seville represented in the Festival Flamenco Traviata "starred in a meeting yesterday with the public |
Accompanied by Liliane and presented by Carmen Rubio de Murcia on stage entity that works with the Festival in the coordination of the round tables and meetings with guest companies, Salvador Tavora spoke of "Flamenco Traviata", a show which sums up the universe Seville theater director who was brimming with the theater that the company has opened in Seville neighborhood where it all started 45 years ago.
A place of which had hitherto lacked that enables them to attract new audiences to the theater, where a capacity of about 300 people, welcome to entire groups of different parts of Spain and the world will see Seville in La Cuadra place of origin, explained Tavora.
In the theater located in a place that may seem unusual to act outside Seville and La Cuadra program to other companies in its own headquarters, for which construction has had to mortgage, but has given them the freedom to choose where they operate.
"A happy because we came from San Javier San Javier is part of our history," said Távora for the local audience, has the characteristics suitable for their shows with a maximum capacity that allows communication "skin to skin", own the theater.
The playwright claimed Seville Theatre austerity in favor of history and emotion, and the need to dispense with wrappings and trappings that are part of other languages such as television or film, with which the theater can not compete spectacular productions to thousands of people.
To Távora the theater is something else and never forget their aesthetic and social mission.
He clarified that "Flamenco Traviata" no fuses flamenco and opera, but it takes them to meet together by the thread of the story he tells La Traviata.
A story of love, life and death, which excited both through the voice of Maria Callas, as in the stories recounting the Fandanguero of his childhood.
Both the prostitute Violet, Verdi and the singers who ended the night with women in public life, suffered rejection and were marginalized by the bourgeoisie of Paris and Andalusia at the time.
In its truth and suffering is a powerful story Távora has all the aesthetic springs for the theater, singing, dancing, ballet, opera, music, machines, and even the presence of a horse in Stage with two languages, one religion and another popular, they have the same ability to thrill.
As in almost all its shows, Távora leave some of his personal history in this show.
Fandangos, flamenco reviled by scholars for a long time, are part of his childhood when he heard in his neighborhood storytelling folk singers and torn, so anarchic and free.
There he found a source of inspiration for transmitting, from the truth and emotion, its language and has become universal, and that has brought the world a real perspective of what goes into the Andalusian culture.
Source: Ayuntamiento de San Javier
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